Untitled - from the portfolio La Lune en Rodage III
28 x 28 cm
Edition Panderma, Basel
Signed in pencil
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration
mint archival condition
Max Herrmann Mahlmann (born April 4, 1912 in Hamburg, † 2000) was a German Constructivist painter. Mahlmann studied from 1934 to 1938 as a student of Richard Müller at the Academy of Fine Arts in Dresden and initially worked as a stage painter and commercial artist. During the Second World War he was a soldier in the Russian campaign. Mahlmann - heavily influenced by Wassili Kandinsky and Josef Albers - turned to non-objective painting after 1945 and concentrated on geometric-constructivist compositions.
Max Mahlmann: Untitled (1966)
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
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