IMPRESSUM: 

Kunstkontor Basel GmbH 

Timo Niemeyer (Geschäftsführer)

Grenzacherstrasse 92 

CH-4085 Basel

Switzerland

 

UID: CHE-439.437.976

CH HR: CH-270.4.006.033-5

Tel.: +41 76 221 43 43

eMail: kunstkontorbasel@icloud.com 

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Artist

Markus Raetz

 

Title

Untitled - from the portfolio La Lune en Rodage III

 

Medium

Mixed media / copy / stamp / biro 

 

Material 

Paper

 

Dimensions

30 x 21 cm

 

Editor

Edition Panderma, Basel

 

Year

published 1977

 

Signature

Signed in pencil 

 

Provenance

Edition Panderma, Carl Laszlo, Basel

Galerie von Bartha, Basel

Private Collection, Basel

 

Condition / Restauration 

mint archival condition 

 

Biography:

Markus Raetz was born in Büren an der Aare (Switzerland) in 1941. He is one of the most important Swiss contemporary artists. Raetz’s work does not belong to any ‘school.’ It is neither abstract, representational, nor conceptual. He works readily in a variety of media and dimensions. His art pieces are made of found materials such as twigs or eucalyptus leaves, or glass, polaroids, unprepossessing black and white photographs, simple shapes cut from tin in various sizes, little pieces of carved wood or stone, clay, small mirrors and panes of glass, corrugated cardboard, or an assortment of odd linear bits of metal. Since he began showing his work in 1966, Raetz has had exhibitions in many galleries and museums, including all the major Swiss museums and the Stedelijk Museum in Amsterdam, the Kolnischer Kunstverein in Germany, the Serpentine Gallery in London, the New Museum in New York City and, the Arts Club of Chicago. In 1988 he represented Switzerland in the Venice Biennale.

Markus Raetz: Untitled

CHF350.00Price
  • A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes  in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

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