IMPRESSUM: 

Kunstkontor Basel GmbH 

Timo Niemeyer (Geschäftsführer)

Grenzacherstrasse 92 

CH-4085 Basel

Switzerland

 

UID: CHE-439.437.976

CH HR: CH-270.4.006.033-5

Tel.: +41 76 221 43 43

eMail: kunstkontorbasel@icloud.com 

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Artist

Günther Wirth

 

Title

Untitled - from the portfolio La Lune en Rodage III

 

Medium

Silkscreen print

 

Material 

Cardboard

 

Dimensions

28 x 28 cm

 

Editor

Edition Panderma, Basel

 

Year

1966, published 1977

 

Signature

Signed, numbered and dated in pencil 

 

Provenance

Edition Panderma, Carl Laszlo, Basel

Galerie von Bartha, Basel

Private Collection, Basel

 

Condition / Restauration 

mint archival condition 

 

Biography:

Günter Wirth (born January 22, 1932 in Berlin-Charlottenburg is a German painter and graphic artist of abstract and constructive compositions. He dedicated his painting to the creation of tachistically generated color sounds. In January 1967, gallerist Lucio Amelio hosted four solo exhibitions at Modern Art Agency Napoli, Galleria Il Bilico Roma, Galleria Numero Firenze and Galleria Fiamma Vigo Roma. In the 1970s he turned to constructivism, hard-edge and minimalism. In the 1990s, he created works on the TAILS series, abstract sculptures inspired by the designs on the vertical wings of WWII Japanese naval aircraft, followed by various installation designs with models of sculptures and images for the Aviation Museum in Itoh-Shi, Japan, 1994.

Günther Wirth: Untitled

CHF375.00Price
  • A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes  in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

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