Untitled - from the portfolio La Lune en Rodage III
28 x 28 cm
Edition Panderma, Basel
1966, published 1977
Signed, numbered and dated in pencil
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration
mint archival condition
Günter Wirth (born January 22, 1932 in Berlin-Charlottenburg is a German painter and graphic artist of abstract and constructive compositions. He dedicated his painting to the creation of tachistically generated color sounds. In January 1967, gallerist Lucio Amelio hosted four solo exhibitions at Modern Art Agency Napoli, Galleria Il Bilico Roma, Galleria Numero Firenze and Galleria Fiamma Vigo Roma. In the 1970s he turned to constructivism, hard-edge and minimalism. In the 1990s, he created works on the TAILS series, abstract sculptures inspired by the designs on the vertical wings of WWII Japanese naval aircraft, followed by various installation designs with models of sculptures and images for the Aviation Museum in Itoh-Shi, Japan, 1994.
Günther Wirth: Untitled
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
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